Submitting
Literary Works
Students who are members of a group
called PALASA at Southern Crescent Technical College asked Debbie Jones to speak
April
7 for their creative writing group. These are the questions they specifically
asked Debbie to cover. She, in turn, did a spontaneous poll of friends and
colleagues who are in the publishing industry. Here are my answers which I
thought may be helpful to you as well. Please read the Loiacono Literary Agency
guidelines for more details.
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1. I’ve always heard that publishers
would rather publish writers who are already published. How do you get
published without being published? Well,
sometimes you have to start with smaller publishers who are establishing
themselves as well. It is a win-win situation, especially if both the author
and the publisher are highly, self-motivated and ready to do whatever it takes
to sell books. Sometimes these small houses sell lots of books with better
royalty percentages and eventually merge with bigger houses which, in turn,
means better sales. Then everyone sees this author in a different light. Please
read this blog I did: http://www.loiaconoliteraryagency.com/on-this-day-of-your-life-i-believe-god-wants-you-to-know-that-enthusiasm-means-everything-not-just-a-little-everything/
2. Are all publishing opportunities
worth pursuing? If not, how do you tell the good from the bad? That is where having an agent is
beneficial. Agents deal with editors/publishers on a daily basis and know from
experience what is good or bad. Never go with ANYONE who asks for money
upfront. You may as well self-publish and keep all the profits. This includes
publishers who tell you in the contract that you have to buy/pre-purchase any
number of copies upfront. NO. Do not do it.
3. How do you avoid being taken
advantage of in the publishing world? Get
an agent. Having an advocate/mediator/professional to look out for your best
interest, is a plus.
4. What websites or other resources
should aspiring writers look to for publishing opportunities? Anything that is FREE. Try to avoid sites
that require a membership, reading fee or that asks you to buy some of their
books first, then after reading, submit your work. Do your research. Use Google
to find anything you are interested in within your genre.
5. What is the best way (or ways) to
pitch a book idea to a publisher? YOU
DON’T. You get an agent. Agents make sure your work is polished, does a
submission package, researches the correct acquisition editors to submit to and
then does it via the agency. 99.9% of the publishers out there will delete or
shred any submissions coming directly from an author. They get tons of
submissions yearly and know if it comes from an agency, it is not junk. Put
yourself in their shoes. Uh-huh.
6. How do you retain your creative
integrity if editors want you to change your writing beyond your comfort level?
That is a decision you must make. Do you
want to be published that bad? First-time authors need to get some publishing
credits in order to advance their careers. I know your manuscript is your baby;
you think it is perfect the way it is, yep, but it is not. No matter how many
have proofed it beforehand, it will need to be edited for content and copy
edited. You must get past it. It is like taking your child to kindergarten the
first day. You have to cut the umbilical cord several times before they fly.
You have to give up a little bit of control or you may never be published. If
you have signed a contract with a publisher and it is stated in that contract
that they have the final decision, and all do, you have to swallow the editing
pill and hope you feel better in the morning. That is why self-publishing has
such a bad name. SO many books are out there that are just bad—period. They
have not been edited in any way, professionally, or were “edited” poorly. Get
an agent and let them get you a good publisher. A good editor works with the
author to perfect a story he/she has fallen in love with/believes in and wants
to see soar.
7. What advice can you give for
developing the thick skin necessary to deal with rejection? Let your agent take the hits, give you
constructive feedback and send you all the positive information, as well as the
bites. If I sent my authors all the responses, most would be on
anti-depressants. I take it in stride knowing that particular publisher was not
the one. It all happens in God’s time, not ours. So when the right one sees
what we see, then you can do the Snoopy Dance.
8. What advice do you have for
someone interested in self-publishing an e-book? You can do whatever you like, but from my POV, I don’t recommend
self-publishing unless it is a personal memoir, cookbook or family history that
you just want to see in print or on an ebook. Those are hard to sell if you are
not a celebrity. Anything else, get an agent.
9. Do you have any advice for
someone wishing to specifically carve a path into writing for TV and film? Do your research, friend those in the
industry on all the social medias, send them samples of your work and get an
agent. Agents have contacts/connections you don’t. You will be taken advantage
of without one.
Debbie is a freelance editor, artist
and teacher (and she can sing!)
D. Savannah George
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